CalStar uses one of its classroom sets; four inmate girls, dressed plausibly in bulky overalls and blouses, are confronted by a male overseer (a familiar early CalStar veteran), for various rebellious infractions. Spanking is the punishment.
Two blondes are sent out; two girls remain, a black girl and a blonde (Minnie Champ). The black girl will be dealt with first. She is statuesque and quietly sophisticated, having the biggest hair in our record book. She stands before the overseer, removes her overalls, bends over his table, and presents a thin athletic bottom adorned only by a thong. She is handspanked and gets a "preliminary three" from a tawse--realistic painful cries and tears.
Minnie, as Hobson, is next in front of the desk. Overalls off, she slips down gauzy bikini panties. The overseer makes her lean lengthwise over another table:"Put your arms in front of you." When she locks her elegant legs straight and stretches forward, her bottom is cocked high off the table, peeking out from under her blouse, in one of the most gloriously memorable poses in our collection. And why? We've seen a lot of beautiful bottoms positioned for action. It is because she is reluctant but willing, frightened but bold, shy but seductive--conflicting signals mixed together, in effect, an Actress.
She is handspanked and tawsed in this position, her hands clench in pain, her brown-eyed glances burn through the lense. There is casual conversation, almost inaudible. In each of her films, we've found (4 of the five listed for her), "A Mutual Agreement," "College Classics #4," and "Tales of the Rod 3" so far, she rarely projects well enough to be distinctly understood, except of course, her anguished cries.
The black girl gets more tawsing--she is wonderfully unhappy. Both girls are ordered to strip to just their bras. There are tantalizing covert frontal glimpses as they move about the set. Minnie returns to her table posture and must hand over her bra. Nude, a stunning figure, she looks at us with pride and contempt, knowing what is coming. Over the table, perfect breasts, compact muscled feminine bottom, and an upper torso so thin and fit her ribs show. Her beauty and reluctant submission make this one on the memorable moments in CP for us.
The overseer begins caning her in this fascinating posture, about 10 strokes, her glamorous legs locked cock her bottom and put her buttocks in play for the cane. To double this eyeful of eroticism, Minnie must lie lengthwise up on the conference table--she has one of those bottoms which rises like foothills. Closeups show hair wisps. Brief caning.
The black girl, who has been watching, is next to lie on the table for 10 cane strokes. She is not so tough as Minnie and cannot stay still. Minnie's bare bottom seen standing to the side, her hands on her head, is in some shots.
The remaining two rebellious inmates, blond Smith and shaggy blond Johnson are called in, interrogated, lectured, and then their fun begins. Smith goes first--dungarees off, top off, she is not wearing a bra and only the tiniest G-string. Over the table, handspanks first and then the tawse. Johnson is told to take her clothes off while this punishment occurs.
The strap cracks in the loud room, full swings. Up on the table, intimate closeups.
Naked Johnson's turn on the table--20 with the tawse, counted by Smith. The overseer picks up the cane. Smith over a table, seven strokes, the string-like G-string comes down. Smith jumps up on the seventh cane stroke. Something must have happened because the overseer swtiches back to the tawse for almost 20 strokes. Toward the end, Smith jumps up again. "You're going too fast."
Consistent throughout this marvelous film--four stunning bottoms; hard spanking, strapping, and caning with no punches pulled; and inventive positioning outside the touch-toes norm. The long table itself deserves an award.
Johnson's turn--"right over" a table. a dozen with the strap and half-dozen with the cane. He taps her breasts with the cane tip. "Put these on the table." More tawsing and handspanking.
The girls are switched around--more caning for Smith. Full-screen bottom shots, too much good stuff to list. Four well-spanked inmates, and kudos to the director who knows what we like.